| Estela Canto | |
|---|---|
Jorge Luis Borges with Estela Canto in 1945 |
|
| Born | 1919 Buenos Aires |
| Died | 1995 Buenos Aires |
| Occupation | Writer, translator, journalist, memoirist |
| Nationality | Argentina |
Estela Canto (1919 - June 1994) was an Argentine writer and translator best known for her relationship with Jorge Luis Borges.
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Canto was the descendant of an old Uruguayan family. Her ancestors included some important military men.[1] Her brother Patricio Canto was also a writer, and authored the essay El caso Ortega y Gasset about the Spanish philosopher.[2]
Estela held various jobs during the late 1930s and early 1940s, including as a dancer-for-hire at a local dance hall, where men would pay women "by the dance" to serve as their partners.[1]
In 1944, at the house of Adolfo Bioy Casares and Silvina Ocampo, Canto was introduced to Jorge Luis Borges. Borges was, at this time, already well regarded in literary circles. Initially he took little notice of Canto, though she observed him with admiration and curiosity, though she had no interest in forming romantic attachments to intellectuals. On their second meeting at Bioy's house, Borges asked her out. After an evening of dancing and chatting they discovered, among other things, a common admiration for George Bernard Shaw. Borges fell in love with Canto and wrote her a number of romantic letters, which Canto would later publish in her 1989 book about their relationship.[1] In this book, Canto said of their relationship:
Borges' attitude moved [me]. [I] liked what [I] was to him, what he saw in [me]. Sexually [I] felt nothing for him, he didn't even make [me] uncomfortable. His kisses were clumsy, brusque, always poorly timed, and [I] accepted them condescendingly. [I] never pretended to feel what [I] didn't feel (Canto's feelings for Borges express narcissistic feelings of the split off imagery of herself, an unholy ideal of a false ego-structure erected to provide a concealing mask as in an intentionally crafted facade of assured self love for an inner loathing toward all men, Borges being barely more than an object to trifle with; evidence of the distorted shadow that lives in all pathological narcissists).[1]
Borges' mother Leonor Acevedo Suárez disliked Canto on account of her sexual liberality and casual affairs with men. Nevertheless, Borges proposed to her. She replied:
I'd love to, Georgie, but don't forget that I'm a disciple of Bernard Shaw. We can't get married without first sleeping together.[1]
Borges' infatuation with Canto faded with time. Many years later they reestablished contact and became friends.[1]
Borges dedicated The Aleph to Canto. It is widely assumed that Canto was the inspiration for the character of Beatriz Viterbo, the narrator's unrequited love.[3] and gave her the original manuscript as a gift.[4] Canto sold this manuscript to Sotheby's for thirty thousand dollars, and it was later bought at auction by the National Library of Spain.[5]
Canto contributed numerous translations to Sur, including selections from In Search of Lost Time.[6]
The bulk of Canto's work describes life in Buenos Aires in the time before Peronism[7]. In 1989 she published Borges a contraluz, a biography of the author in which she recounted various intimate details of their relationship. In 1999 this book was adapted into a film, directed by Javier Torre and titled Estela Canto, un amor de Borges.[8]